The Twilight Zone TV-Show Review 2019 Cast Crew
Stars: Jordan Peele, Lesley Mirza, Shalyn Ferdinand
One thing that appears again and again in the interview material included in this excellent release is that actors like Burgess Meredith, who have had long, prolific and distinguished careers, tend to get more recognition for one or two invited places in the strange anthology of Rod Serling. TV series that all the movies and other shows they have made. Four and a half decades after the show's debut in 1959, it's still part of pop culture, as evidenced by the annual parodies of the Simpsons Hallowe'en shows, or the way you can suggest terror by distorting the unmistakable theme by Marius Constant.
These programs have been repeated countless times and have been packaged and repackaged in all domestic video formats, but still they are maintained, and this really is a definite problem, with brilliant and brilliant new transfers. The first season does not have the presence in Serling's chamber until a joke in the last episode, which led to his visible presence thereafter, and the tone varies as the program finds its own distinctive voice. The look is fixed, with a Noirish cinematography to suggest a crooked world, and Serling's writing style is completely his (although great shows in later seasons would be written by others, such as Richard Matheson and Charles Beaumont). But we have episodes dedicated to psychological fantasy, horror, science fiction, sentimental drama, even Western and sitcom. "Funny" episodes tend to be fake, but those that are scary or reflective are treats.
Everyone will have different favorites, but the most unpleasant piece here is The Fever, about a tourist in Las Vegas whose life is ruined by an evil fruit machine. The most profound is The Monsters Are Due On Maple Street, about mass hysteria, and the most moving The Lonely, about a prisoner and his robot.
Even if you've never seen an episode of The Twilight Zone, you may feel like you've done it. This is due to the fact that, although it was not the first television anthology series, it was undoubtedly the most influential. Subsequent television shows like The Outer Limits, Star Trek, The X Files, Lost, Fringe and many more owe him a huge debt. In addition, films such as Planet Of The Apes, Child's Play, The Truman Show, Final Destination, Poltergeist and Donnie Darko (among others), took their ideas directly from the individual episodes of Twilight Zone.
And then there was the influence he exerted on people like Steven Spielberg, Stephen King and Gene Roddenberry and much of his later work. Suffice it to say that many of the basic elements of popular culture that we take for granted today may not have worked the same way if it had not been for The Twilight Zone.
The program was created by Rod Serling, who wrote twenty-eight of the thirty-six episodes included here in Season 1, and it is his opinion about human nature (and, in particular, the American psyche of the time) that makes many from them. These tales so visible. Each individual story fits the same basic template, opening with a part of Serling's narrative that is as iconic now as elegant and timeless then:
"There is a fifth dimension, beyond what man knows. It is a dimension as vast as space and as timeless as infinity. It is the midpoint between light and shadow, between science and superstition, and is between the well of man's fears and the peak of his knowledge. This is the dimension of the imagination. It's an area we call the Twilight Zone. "
It is an introduction that sets a high level of expectations before we meet an average American man and follow him on a journey that can take us anywhere, which can take place at any time and in which almost any thing can happen. . Each episode differs in very different ways and it is one of the strengths of the series that their stories are so diverse.
In order to fully appreciate the episodes, it is best not to know too much about them, but topics such as racial prejudice, political corruption, social conventions and the Cold War are examined and explored under the guise of stories adorned in the attire. of science fiction and fantasy. Sometimes they are comedies, sometimes they are dramas. Often they are psychological terror. As expected, the quality varies from one episode to another, but at its best, Season 1 of The Twilight Zone is an original, unpredictable and compulsive visualization.
The highlights are numerous and include I Shot An Arrow Into The Air, which tells the story of a group of astronauts who land on an asteroid and struggle to survive. This is one of the many episodes that explores how man can convert.
And then there's The Monsters Are Due On Maple Street, an episode released from the attacks of Cold War paranoia, when residents of a suburban street begin to confront each other when they suspect their neighbors are alien invaders. This story, in particular, recalls some of the great invading extraterrestrial films of the 1950s, such as Invasion Of The Body Snatchers and It Came From Outer Space, where the physical appearance of people should not be taken lightly and is not family. be reliable It is an obvious comment on much of the concerns of the United States about the growth of communism throughout this era and brilliantly exposes the destructive tendencies of a United States obsessed with the notion of "reds under the bed". In addition, in its examination of perceived threats from outside, it remains as relevant today as it was then.
In fact, apart from being entertaining dramas in their own right, much of The Twilight Zone can be seen as a fascinating commentary on a country that was experiencing considerable changes, both at home and abroad.
The United States in the late 1950s was a country very concerned about the burgeoning conflict in Vietnam, fueling fears of new threats from the Soviet Union. There were also huge social changes in the civil rights movement, and the open sores left by the communist witch hunters, both Senator Joe McCarthy and the House of Non-American Activities, had not yet been cured.
In this context, it is easy to deduce from much of season 1 that Serling was examining the fears and concerns of an audience that could feel that many of the old certainties were beyond their reach. A new American identity was emerging, but many still were not sure what that identity would be.
And no theme dominates the first season of The Twilight Zone more than this, as again and again the characters struggle to accept a reality that they do not understand and in which they are not the person they thought they were.
Therefore, there are stories of people who can not move forward due to the attraction of the past (Walking Distance, for example, where a man visits his childhood and meets a teenager in an idyll he does not want to leave, and Nightmare As A child , where a woman is forced to remember the secrets that she had buried as a result of the incitements of a strange girl.
Then, there are stories of people deceiving themselves saying that they are leading ordinary lives, only for their characters to be eliminated by some very creepy characters.
But perhaps the most powerful of these is And When The Sky Was Open, in which three astronauts believed lost, return to Earth as heroes, only to have one of them disappear shortly after his return. The episode focuses on the terror and confusion of Colonel Clegg Forbes, as he is the only person who can remember his missing colleague, yet including news reports and medical records in disagreement with his version of reality. It is a provocative look at what happens to heroes when they return home after the wars and is strangely prescient in their prediction of how the United States would soon treat its soldiers upon their return from Vietnam.
These programs have been repeated countless times and have been packaged and repackaged in all domestic video formats, but still they are maintained, and this really is a definite problem, with brilliant and brilliant new transfers. The first season does not have the presence in Serling's chamber until a joke in the last episode, which led to his visible presence thereafter, and the tone varies as the program finds its own distinctive voice. The look is fixed, with a Noirish cinematography to suggest a crooked world, and Serling's writing style is completely his (although great shows in later seasons would be written by others, such as Richard Matheson and Charles Beaumont). But we have episodes dedicated to psychological fantasy, horror, science fiction, sentimental drama, even Western and sitcom. "Funny" episodes tend to be fake, but those that are scary or reflective are treats.
Everyone will have different favorites, but the most unpleasant piece here is The Fever, about a tourist in Las Vegas whose life is ruined by an evil fruit machine. The most profound is The Monsters Are Due On Maple Street, about mass hysteria, and the most moving The Lonely, about a prisoner and his robot.
Even if you've never seen an episode of The Twilight Zone, you may feel like you've done it. This is due to the fact that, although it was not the first television anthology series, it was undoubtedly the most influential. Subsequent television shows like The Outer Limits, Star Trek, The X Files, Lost, Fringe and many more owe him a huge debt. In addition, films such as Planet Of The Apes, Child's Play, The Truman Show, Final Destination, Poltergeist and Donnie Darko (among others), took their ideas directly from the individual episodes of Twilight Zone.
And then there was the influence he exerted on people like Steven Spielberg, Stephen King and Gene Roddenberry and much of his later work. Suffice it to say that many of the basic elements of popular culture that we take for granted today may not have worked the same way if it had not been for The Twilight Zone.
The program was created by Rod Serling, who wrote twenty-eight of the thirty-six episodes included here in Season 1, and it is his opinion about human nature (and, in particular, the American psyche of the time) that makes many from them. These tales so visible. Each individual story fits the same basic template, opening with a part of Serling's narrative that is as iconic now as elegant and timeless then:
"There is a fifth dimension, beyond what man knows. It is a dimension as vast as space and as timeless as infinity. It is the midpoint between light and shadow, between science and superstition, and is between the well of man's fears and the peak of his knowledge. This is the dimension of the imagination. It's an area we call the Twilight Zone. "
It is an introduction that sets a high level of expectations before we meet an average American man and follow him on a journey that can take us anywhere, which can take place at any time and in which almost any thing can happen. . Each episode differs in very different ways and it is one of the strengths of the series that their stories are so diverse.
In order to fully appreciate the episodes, it is best not to know too much about them, but topics such as racial prejudice, political corruption, social conventions and the Cold War are examined and explored under the guise of stories adorned in the attire. of science fiction and fantasy. Sometimes they are comedies, sometimes they are dramas. Often they are psychological terror. As expected, the quality varies from one episode to another, but at its best, Season 1 of The Twilight Zone is an original, unpredictable and compulsive visualization.
The highlights are numerous and include I Shot An Arrow Into The Air, which tells the story of a group of astronauts who land on an asteroid and struggle to survive. This is one of the many episodes that explores how man can convert.
And then there's The Monsters Are Due On Maple Street, an episode released from the attacks of Cold War paranoia, when residents of a suburban street begin to confront each other when they suspect their neighbors are alien invaders. This story, in particular, recalls some of the great invading extraterrestrial films of the 1950s, such as Invasion Of The Body Snatchers and It Came From Outer Space, where the physical appearance of people should not be taken lightly and is not family. be reliable It is an obvious comment on much of the concerns of the United States about the growth of communism throughout this era and brilliantly exposes the destructive tendencies of a United States obsessed with the notion of "reds under the bed". In addition, in its examination of perceived threats from outside, it remains as relevant today as it was then.
In fact, apart from being entertaining dramas in their own right, much of The Twilight Zone can be seen as a fascinating commentary on a country that was experiencing considerable changes, both at home and abroad.
The United States in the late 1950s was a country very concerned about the burgeoning conflict in Vietnam, fueling fears of new threats from the Soviet Union. There were also huge social changes in the civil rights movement, and the open sores left by the communist witch hunters, both Senator Joe McCarthy and the House of Non-American Activities, had not yet been cured.
In this context, it is easy to deduce from much of season 1 that Serling was examining the fears and concerns of an audience that could feel that many of the old certainties were beyond their reach. A new American identity was emerging, but many still were not sure what that identity would be.
And no theme dominates the first season of The Twilight Zone more than this, as again and again the characters struggle to accept a reality that they do not understand and in which they are not the person they thought they were.
Therefore, there are stories of people who can not move forward due to the attraction of the past (Walking Distance, for example, where a man visits his childhood and meets a teenager in an idyll he does not want to leave, and Nightmare As A child , where a woman is forced to remember the secrets that she had buried as a result of the incitements of a strange girl.
Then, there are stories of people deceiving themselves saying that they are leading ordinary lives, only for their characters to be eliminated by some very creepy characters.
But perhaps the most powerful of these is And When The Sky Was Open, in which three astronauts believed lost, return to Earth as heroes, only to have one of them disappear shortly after his return. The episode focuses on the terror and confusion of Colonel Clegg Forbes, as he is the only person who can remember his missing colleague, yet including news reports and medical records in disagreement with his version of reality. It is a provocative look at what happens to heroes when they return home after the wars and is strangely prescient in their prediction of how the United States would soon treat its soldiers upon their return from Vietnam.
The Twilight Zone TV-Show Review 2019 Cast Crew
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