Now Apocalypse TV-Show Review 2019 Cast Crew
Star: Avan Jogia, Kelli Berglund, Beau Mirchoff
The new Starz series "Now Apocalypse" represents a fusion of the two sides of director Gregg Araki's career. Between 1987 and 2014, Araki produced multiple cult hit films, several of which premiered at the Sundance Film Festival, focusing on an understanding of modern life, for young people, driven by the need for intimacy and sensation. of impending disaster. (Not in vain, his avant-garde film called "The Doom Generation"). However, in recent years, Araki reinvented himself as an official television director, contributing episodes of series such as "American Crime," "13 Reasons Why," "Riverdale," and "Heathers."
All these shows, by the way, take as a guiding premise the idea that youth, in the decade of 2010, is not a promising time but an endless threat, as young people, unique enough to see the world as dangerous as it really is. They are also disempowered to do much about it. Having seen his generalized sensitivity, and having watched television expand enough to make room for a marginal element in premium cable, Araki now has his own palette to play as a showrunner, director and writer. "Now Apocalypse," which premiered on March 10 on Starz after a premiere on January 29 at Sundance, raises its tone of rarity to what will likely be the limits of the patience of many viewers, providing several kind performances in a History that feels like an overheated reheating of more acute material.
Avan Jogia, a young and charming star, plays Ulysses, whose echo of mythical odysseys does not seem accidental. Through an awakening after a first date with the symbolic name of Gabriel ("Tyler Posey" of "Teen Wolf"), Ulysses' eyes open again to the realities of the universe, including the presence of lizards disguised as humans. Notion, a troop of conspiracy ideas for decades, is left here somewhat ambiguous: the visions of Ulysses come in dreams, and could, in fact, be losing your mind or using too many drugs, but it is more likely to be the world.
His whole environment in Los Angeles, the familiar thirst that defines life among aspiring entertainment industry, that millions of people can see and understand, or at least admire, have come to define the life of his narcissistic friends. Kelli Berglund), an aspiring actress, performs sex work through a webcam, demanding that her worshipers work in line trials for auditions for her, makes literal the look we put on the objects of our entertainment in a way that is at least wickedly intelligent. Less ingenious is the story of poor dopant Ford (Beau Mirchoff), a heart-of-heart man whose self-understanding as an aspiring screenwriter does not match the desire of all those who meet him to exploit his insecurities for the sex.
Araki's vision of a candy-colored city driven by deceived narcissists and the users who love them, or at least their bodies, is consistent, at least - granted by the search for Ulysses, a plot too fanciful and divorced from the world. The dominant tone of show anger is taken seriously. This is a filmmaker who has things he wants to say about the state of the world; The problem is how few of these things escape the cliché and how much work is done to simply exaggerate the cliché, as if that gave it a new impact. (This is, for example, the third program I've seen in the last twelve months, after "Barry" and "The Kominsky Method," to present a Los Angeles theater teacher as desperate as his student's; " Now it's the Apocalypse. "Taking is the least imaginative of the three, but it's at least the most desperately desperate.) Television catches up with Araki's bleak vision of the universe and overcomes it: there are so many shows that represent a fallen world and individual work.
Do it inside him to transcend the trauma, the themes of the whole career of Araki's work: he has locked it in a place where absolute absurdity is the only way to leave his mark. Each type of character is amplified in "Now Apocalypse"; Every sexual act or reading expression is ridiculously large, every selfish decision is cheerfully sociopathic. There is literally a lizard. But the types of characters Araki is playing with do not require so many embroidery. A safer show would know that the public is more prepared than ever to find him where he is when he says that we are living an apocalypse.
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Now Apocalypse TV-Show Review 2019 Cast Crew